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There is a period of intense passion and happiness. A young woman falls in love with another woman.
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No ideologies.īlue is the Warmest Colour is a movie about first love. Is it wrong to piss off the LGBT community by showing heterosexual actresses having hot “lesbian” sex? Or is it redeemed through its honest depiction of romance between the rich and poor? Didn’t writer-director Kechiche exploit his actors and mistreat his production crew? What should we think?įor a second, let us ignore all the social context behind Blue. There’s a lot to consider when judging the quality of Blue as a movie. Or as I quote Zizek, Blue depicts the true message of the ideology: “Of rich people having tried to revitalize themselves by ruthlessly appropriating the vitality of the poor people.” There will always be a social rift in between the upper class and the lower class, preventing the two from truly accepting one another. And as Adele remains uneasy with Emma’s artistic community, Emma grows weary of Adele and subconsciously begins to alienate her.
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For instance, she teaches her how to enjoy shellfish, and encourages her to write. Adele is comfortable with her working-class lifestyle, while Emma wants to challenge her with the pleasures of upper-class philosophy. Adele is a preschool teacher, while Emma is an artist. How would they ever sustain a healthy relationship?īlue is the Warmest Colour challenges this Hollywood ideology by presenting a sincere interpretation of love between the rich and the poor. A real tragedy would occur if an iceberg did not hit the Titanic-after a couple weeks of passionate sex, the two lovers would inevitably break up. Using James Cameron’s Titanic, Zizek illustrates how the iceberg is necessary to facilitate a bittersweet tragedy. As Slavoj Zizek mentioned in his fascinating video essay, The Pervert’s Guide to Ideology, modern Hollywood films have an absurd sympathy for the lower class. However, I do praise writer-director Abdellatif Kechiche for his portrayal of social class in Blue. The film is trying to convince us that lesbians normally engage in violent sexual intercourse, an idea reserved for the adolescent fantasies of horny schoolboys.īut hey, if the scene gives us all a boner, we might just ignore how sophomoric and insensitive the sex scenes are, right?
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Scenes containing oral sex were already pushing it, but when the two lead actresses begin “scissoring” each other, it just becomes needlessly pornographic. Moreover, I found the explicit sex scenes to be incredibly… uh, arousing? But while sex sells, it has a negative effect on Blue’s themes of passion and heartbreak.
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And while Adele is harassed by her homophobic classmates and belittled by her conservative parents, Adele’s sexuality is hardly ever threatened. On the other hand, it trivializes the identity of gay couples by associating it with heterosexual ideology. On one hand, it allows hetero-normative male viewers (like myself) to empathize with this unfamiliar concept: a same-sex love story between two women. This results in a mixed reaction among its critics. If Emma were a man, it would be no different from any other breakup story. And years into their dying relationship, she has a sexual affair with a male co-worker. In the city, she passes by Emma (Lea Seydoux) and instantly becomes smitten. In school, she dates a guy she doesn’t love-no surprise, it ends poorly. Adele (Adele Exarchopoulos) experiments with her sexuality throughout the movie, but her romantic struggles are relatively straightforward. That doesn’t really make it a lesbian story though. That said, there’s one catch: this love story is between two women. The movie even alludes to similar love stories through the books Adele reads in high school. And like all first loves, it is bound to end tragically. Blue is the Warmest Colour is a movie about first love.